Posts Tagged ‘exhibition space’

Regiolux & lichtwerk at light+building 2018 by kluge retail.brand.architecture, Frankfurt am Main – Germany

April 24th, 2018

The architects of kluge retail.brand.architecture followed the idea of huge LightClouds floating above the stand site. These key elements serve as basis for the three-dimensional brand representation, structure the stand space and create a high name recognition of both Regiolux and lichtwerk.

Nguyen Hoang Tu flagship store by Red5 Studio, Ho Chi Minh City – Vietnam

March 21st, 2018

Interior and interior space are also in accordance with the principle of contrast theme as above. Material elements such as cement, glass and light are used in combination with the cube, zigzag shape, creating an impressive exhibition space. The white painted epoxy floor evokes sensation of the runway.

Durstone & Q stand at Cevisama 2018 by VXLAB, Valencia – Spain

March 15th, 2018

This bar is a structural component with an aesthetic function but it also works as a practical meeting point for visitors and costumers. In essence, the stand presents a cohesive space that showcases the main product line, Durstone, as well as the company’s “Q” collection, focusing on youthful and contemporary styles.

Discovering Taiwan exhibition by Studio TING, Taipei – Taiwan

March 14th, 2018

The electronic soundscape, the contemporary weaves and the animated projections of multimedia art enable the visitor to view the knowledge incarnated by the museum at the crossroads between the preservation of a heritage dedicated to the current generations and the scientific research which opens new understandings of the world.

Telli bio-boutique by ARROW Architects, Almaty – Kazakhstan

March 14th, 2018

The large, wooden oak feature found within the space is representative of an apple tree and is supposed to connect different spaces of the boutique such as the shop with relaxation areas and the gallery.

OIAM Boutique by NONG STUDIO, Shanghai – China

March 8th, 2018

On the second floor, its function wanders between display and living room. The soft white window gauze builds a comfortable and gentle shopping experience. You can flip through VOGUE sitting in the Wegner shell chair or have small talks, slumping in the peacock blue vintage sofa in the VIP room.

Ariostea Retail stand at Cersaie 2017 by Marco Porpora, Bologna – Italy

February 7th, 2018

Military Museum by Studio Libeskind, Dresden – Germany

November 23rd, 2017

The new extension shines a new light on violence whilst taking an anthropological approach, considering the human causes and effects. Protruding out from the main body of the building, the 200-ton extension holds a 99ft viewing platform that offers views across the historic city.

Museum Macan, Jakarta – Indonesia

November 20th, 2017

The newly opened Museum Macan is Indonesia’s first museum dedicated to modern and contemporary art. The venue is founded by Haryanto Adikoesoemo, an Indonesian business mogul and philanthropist with a penchant for modern art.

Maison Papillon restaurant by NE-ON, Shanghai – China

November 9th, 2017

The space has been designed to combine classic French touches with a contemporary atmosphere. The selection of the materials was very important in order to create a warm and cosy atmosphere: we mixed wood floor, carpet, brass and mirrors.

New DolomiteTiles Showroom by C&P Architetti, Cermes – Italy

September 13th, 2017

The showroom is arranged freely around the new furnishings which enclose the existing pillars and the restrooms, while the area including the office and the meeting room is separated from the exhibition, though being in direct connection with the rest of the space.

Versatility of the Clothes of Nature: Hanbok exhibit by Farming Architecture, Seoul – South Korea

July 12th, 2017

Unlike Western attire, which values stylish looks over the wearer’s comfort, the hanbok takes after nature with an aesthetic style that is appreciated more when worn than seen. The “clothes of wind,” designed by LEE, captures the versatile form and structure of the hanbok in a particularly stylish way.

Zinc Mine Museum by Peter Zumthor in Aldo Amoretti’s photos, Sauda – Norway

June 6th, 2017

Timber supports elevate the cafe and exhibition above the rocky landscape, while the service building hangs from the side of a stone wall. The timber framework extends up the black outer walls to raise a mono-pitched corrugated zinc roof above each of the blocks.

The Lighting Gallery by M+Archguild60, Singapore

February 21st, 2017

On top of the theme colours and their special finishes, the proposal was to represent the transition of time and space along with the sequence by utilizing the difference of colour lightness.

Wink store by Miklos Kiss, Budapest – Hungary

January 7th, 2017

As we enter the shop, we are met with an imposing chandelier created from shoe lasts – the most important element of shoe production. From the design aspect this shop was meant to be a flagship prototype for Wink’s new brand image. Wink’s classic white and blue color combinations were retained to generate a continuity in the brand’s history.

Thompson Exhibition Building by Centerbrook Architects and Planners, Mystic – Connecticut

January 2nd, 2017

Wood was the ideal material for these purposes because it can economically enclose a large clear-span space while forming complex organic geometries. The intention overall was a wooden structured volume that would suggest a hull’s interior architecture.

Milu Hotel by Studio Do, Florence – Italy

January 1st, 2017

Both intimate and high on style, Milu Hotel features just 22 rooms spread across five floors, and each designed with a distinct colour palette and varying carpentry styles by Tel Aviv-based practice Studio Do.

University of Queensland Architecture School by M3 Architecture, Brisbane – Australia

September 13th, 2016

The result provides a new identity for the School, while drawing light in and connecting the interior to its leafy surroundings. It provides the capacity for staff, students and visitors to share a communal kitchen as part of a new flexible and collaborative tutorial and exhibition space.

Paper art installation by Emmanuelle Moureaux at ‘Space in Ginza’ exhibition, Tokyo – Japan

September 10th, 2016

Presented for the exhibition ‘space in ginza’ at METoA in Tokyu Plaza Ginza, Moureaux’s ‘I am here’ comprises the silhouettes of 18,000 women in 100 different colors. These paper pieces express the non-stop flow of pedestrians that occupy the bustling district of Japan.

BMW museum by Crossboundaries, Beijing – China

August 29th, 2016

These banners can be lowered to double as projection screens. Pieces of red fabric have also been suspended from the ceiling and arranged to look like typical Chinese architectural gates. These welcome visitors into the main exhibition space.