Archive for the ‘visual’ category

Alto da Invernadinha wine packaging by Priscyla Falkenburger

December 7th, 2016



In the wine label we see the mountains in the counter-shape and in the champagne we see them being formed by the yellow and orange lines. We also see a sun coming up through the hills.

EDL Division identity design by Bravo Company

December 6th, 2016

A dynamic and fluid logo was created to represent collaborative spirit as well as the versatility of the space.

Olaf Swedish Sardines packaging by Alena Ploski

December 6th, 2016



The package is shaped like a fish that wraps around the can and can be easily removed to discover the nutritional information on the inside of the label. Fish shaped, color coded.

Fuzzie branding by Bravo Company

December 5th, 2016

The design of the app is clean and easy to navigate, allowing users to have a pleasant experience interacting with the brand mascot while using the app.

RedTail branding by Bravo Rocks and Kimiaki Yaegashi

December 4th, 2016



We worked with Japanese illustrator Kimiaki Yaegashi to create the bar’s mascot Xiao Hong, a boy in a Red Panda costume. It seems only apt that the adorable nocturnal animal fronts the eclectic drinking hole, whose entire concept is centered around a convivial setting for pre-party drinks, casual catch ups and even networking.

Generous Wines branding by The show must go on

December 3rd, 2016



The show must go on, we renovate the image of the Generous Wines of Bodegas Salado. The value of its production processes – still the same since 1810 – inspired our proposal: a premium design, modernized and rich in details, faithful to the Andalusian origins of Bodegas Salado.

Christmas Campaign of Peek & Cloppenburg, Düsseldorf – Germany

December 3rd, 2016



Typical Christmas treats such as candy canes, Christmas crackers and gingerbread as well as an array of decorations including Christmas baubles, nutcrackers and fairy lights help create a festive ambience as extra-large elements displayed in the shop windows and retail spaces.

OPUS branding by Sheridan&Co

December 2nd, 2016



Michael Sheridan, founder and chairman of Sheridan&Co commented: “Our initial challenge was to create a brand identity that clearly communicated DKPT’s market leading expertise. It needed to appeal to a high-end audience while, at the same time, presenting itself as more of a contemporary, aspirational and fun lifestyle brand.”

Oco2 home camera branding by Accuraten

December 1st, 2016

Our designers developed 3 versions of packaging for different use cases and markets. We found compact and beautiful way to lay all components and accessories in the box, choose materials and designed 3D model of packaging. We developed manual design and branded stickers for Oco2.

Dzielić Wódka packaging by Morgan Glisczinski

November 30th, 2016


Decorative folk art is a big part of the Polish culture so I wanted the majority of my design to feel handmade to resemble the handmade craft that most Polish folk art is.

Turmeon Honey Vermouth packaging

November 29th, 2016



Now Turmeon has again created a special image for its new product: Turmeon Honey. This is the world’s first vermouth sweetened with honey, and it has just been launched at the Salmón Gurú gastrobar in Madrid, the new establishment with Argentinian bartender Diego Cabrera at the helm.

Nuts and Peanuts Packages by Ayala Tal

November 28th, 2016

The packages are shaped with geometric shapes of animals, and contain different amount of nuts and peanuts (in wide and thin measures), according to their animals. For example the giraffe package is taller than the lion’s package. The inspiration to the color palette and the ״see through״ holes that created is from the Fashion world and African dresses design.

Kitchen Loft by Manic Design, Singapore

November 28th, 2016

Kitchen Loft is a new dining concept from NTUC Foodfare, a food court set in a modern designed space offering contemporary cuisine and an evening bar.

San Mai Knife packaging by Zach Pater

November 25th, 2016



This premium line of Japanese cooking knives are used to prepare the most select delicacies of the Japanese culture. The packaging is to reflect and showcase the historic process of forging these specific blades.

Balance Water branding by Graphic Opera

November 24th, 2016


The client asked us to create a colorful brand, we decided against our philosophy to use 21 colors. It was a conscious choice and a challenge. The brand identity is based on a geometrical grid and a modular system, such combination together with the rhythmic movement of the color elements works for the brand recognizability.

Nami branding concept by Funky Business® Branding Agency

November 23rd, 2016



The task is complicated by the fact that the brand will be contrary to the common market stylistics, as it will spread through the Barbershop. The power of Japanese samurai image and the surrounding traditions has become the main line of the buyer to the brand identification and solution of the problem.

Breuninger 135th anniversary window display by Dfrost, Düsseldorf – Germany

November 23rd, 2016



Colourful silhouettes are presented in and on the windows and invite to join the party. Happy Birthday!

Lux et Terra Candles packaging by Caribou Creative

November 22nd, 2016



After struggling to find candles on the market that were made from anything other than soy and paraffin, they soon got to work and Lux et Terra was born. All candles are poured by hand and made in small batches in their Fernwood kitchen home on Vancouver Island.

Evans Christmas window, London – UK

November 22nd, 2016


We were inspired by shapes in nature, rippling sand and free flowing shapes. We wanted a festive look and feel without being overtly “Christmas” In the back of our minds we wanted the scheme to feel like an art installation, a modern and contemporary take on the season.

Jinnam Agricultural Corporation branding by ContentFormContext

November 17th, 2016



Inspired by the scenery of Munkyung, we drew imaginary village where people are working at farms to make high quality products. The village was drawn based on two Korean letters, “Jin” and “Nam”. We wanted to develop 3 versions of the village.